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Crosses of Hope flag project on show at Outernet London

Developed by creatives on LinkedIn and now on show in London, the project aims to define the St George's Cross flag as a symbol of unity rather than division

Alfa Mist and James Rueben on turning dystopian visions into sound and ink

The producer and artist discuss their first collaboration, which extends the themes of Mist's latest album, Roulette, into a short sci-fi comic

Google Pixel tackles ‘vanilla’ smartphones in new spot

Daniel Milroy Maher

Under the tagline, 'Get outside your comfort phone', the new ad encourages viewers to drop their dull smartphones, and pick up the Pixel 10 instead

Why going viral is no longer fun

In our fevered political climate, unexpected culture wars, fuelled by bots, can break out at any moment, even over something as seemingly benign as a logo redesign. What impact is this having on creatives and designers, asks Ben Kay

Stephen McCoy’s photographs of Merseyside travel south

Daniel Milroy Maher

Featuring work from across five decades, McCoy’s rich and layered oeuvre is now on show at the Martin Parr Foundation in Bristol

Nike and Lego join up for collab in a Shanghai primary school

The two mega brands have joined forces to create a playground space featuring giant Lego blocks that can be endlessly reconfigured by kids

Mud, sweat and tears at the Barbican

Dirty Looks, a new exhibition in London, examines fashion’s complicated relationship with dirt and decay, and society’s changing ideas of beauty

No Way Back: Learning from, not longing for, the past

Launching with a fascinating book, the No Way Back project is a multi-platform initiative that brings together long-lost music and subculture journalism and photography

A new exhibition confronts the seductive face of fascism

The Future Was Then, which runs at New York’s Poster House, offers a timely look at the enduring power of state-sponsored propaganda

Craig Oldham on the Orgreave campaign and the role of design in protest

Ten years on from the publication of his book on the miners’ strike, designer Craig Oldham reflects on its impact and the role it played in the wider campaign for an inquiry into one of its most infamous events

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